
I saw Joel and Heikko last week, playing at the Eesti Rahva Muuseum.
The Trio has become a favorite; I have a playlist of many of their tracks that’s a go-to for road trips, sometimes for home evenings, sometimes for just because. I like that there are no lyrics but that they all mean something. It’s nice to have playing in the background if you need to focus on other things, but there’s also plenty to sit and follow along with if you need to un-focus.
Heikko was in the entryway before the performance,
“Heeey, you came to the gig?”
The “gig” was so enjoyable, to forget everything else for an hour and got lost in something good. I hardly understand how it’s happening, but it’s always clear what is happening and why. It was a break from the rest of life, where it seems like you’re supposed to think the other way around, mostly about how.
Maybe music balances us. Maybe it reminds us of something.
“So what have you been up to?” Heikko had also asked, before the concert.
“Me? Um, everything..?”
“Everything?”
I’m realizing that I’m going to have to come up with a (very) short answer that sums “everything” up, but I don’t know what that could be.
Yeah, pretty much everything.
More vague-y chit-chat. They were starting soon so he had to go.
“Great, I’ll see you out there,” I said.
“I’ll see you in there!” he grinned, and left.
I showed my ticket a few minutes later and went down the stairs to the teatrisaal. I searched for a place that seemed right, settling for stage-left, three rows up, second seat from the aisle.
Music’s better live. You do get used to tracks, though. Like when Joel started playing You’re Welcome To Stay I kinda wanted to cry, but then when the guest-trumpet came in the feeling went out because all my feelings were wrapped up in the original track.
Like days off in Maine, staring out the window with a cup of tea, wishing there it was true.
Or those quiet mornings babysitting, “Canon, let’s dance…”
In the slower pieces the drummer changed his sticks for wire brushes that looked like meat basters. Right then I so wanted to have a sibling or friend next to me who’d get the joke as he tapped and moved them around and around… “Look what he’s cooking up,” I wanted to say. And how many times something like that can work all over again.
But I just laughed to myself and tried to un-see it, tried not to lose it.
As the concert continued I began to understand something about what made it so enjoyable. I started to recognize a feeling there, the same feeling I have when I talk about ideas with Geoff, the feeling I get when I’m sitting around with the family on a spontaneous game night or laughing with Stephany about something stupid — something was happening between the players, the same thing that happens between people who know each other so well and for so long, when what’s done together takes on layers and layers of meaning.
I know that thing. Not the music and how it works, but what powers it and why it works.
You could see it most clearly between the brothers. One of them would do something amazing and the other would seem proud of him; then later he himself would play some terrific solo and the first would clearly approve. It was more than just being happy or having a good time, they were communicating, back and forth, with music.
I thought, they might change the drummer and the Trio would survive (as it has), but if either brother was replaced the thing would be gone. The heart would go missing.
But the heart was there and it was good to sit into. I did enjoy it, every bit.
Peter Kreeft talks about the Spirit being what exists between the Father and Son, the third thing that comes from Them. It was something like that.
And then it was over. They returned for their encore, bowed once more, and left.
The lights came up.
Joel was already greeting attendees when I came upstairs; the trumpet player was signing cd’s. I realized that I didn’t know how this part was supposed to go and suddenly felt awkward. What do you say to people you kinda know but don’t?
I just stood there uncomfortably in line while the couple in front of me talked with Joel. I’d already been seen so it was too late to disappear. And anyway I couldn’t move around the nice people in front of me.
They really did seem nice, that couple. You could feel the sincerity of the thanks and praise, and it seemed to fit. Joel is a brave person I think, and one person’s courage has a way of giving others strength.
That was a good way for God to make it: that courage feeds courage, beauty feeds beauty, life feeds life.
After they left, Joel turned to me. “Haven’t seen you for a long time…”
“I know, how are you?”
Small talk is the worst.
“I’m good,” he said.
Joel’s “good” probably has as much in it as my “everything.”
I didn’t know what to say next. “Um, that was really lovely,” I ventured. “Will you guys be playing in Tallinn in November or December?”
After the old days, Heikko still came to a few camps and things, but I really hadn’t seen Joel in many years. Except that one time a few summers ago.
It was early the morning the Thompsons were moving. We were all in line for airport security and he ended up being in line right behind us. I was wrapped up in the family, in what I was losing, in Ella’s stories about mosquitoes at their friends’ summer house.
I’ve since understood that what was happening in his life can’t have been easy, but at the time I had no idea. I’ve felt sad sometimes since then, for not having said anything, for not having been nicer. I wish I had spent that half a second seeing the human in front of me (or behind me, in that case) instead of letting that half a second go in thinking that I was wearing a t-shirt and hadn’t washed my hair, and then returning to some new blood-curdling tale. (You have to know Ella.)
What should I have said? I’ve wondered when putting Some Things Never Change in at the beginning of a road trip, or when I’ve remembered the drug lady next to me and the chanter behind me on the bus ride from hell, and how Mul On Hea Jeesuses kept me from feeling afraid.
“Um, I think we’re playing in Tallinn in November, just the Trio. And then I have some solo work for a jubilee thing in December… Honestly, I don’t remember. You can check my website…”
I checked later. It was all there. The “jubilee thing” is Joel’s own jubilee, and to celebrate he’s giving a concert for other people.
Heikko came upstairs, then I was sandwiched between a quiet Joel and Heikko’s conversation with someone behind us.
Eventually the other person left; Joel was wanted elsewhere. I turned to Heikko. I said that it had been great. And then more small talk. They were on tour, Võru next.
At that point there were so many people and I understood that I was out of place. We said goodbyes, I retrieved my coat from the nice lady at the garderoob, dressed and headed out to walk back to town.
The night was perfect: windless and very dark. The way back was downhill. I crossed on green; I dodged a bus. I stopped at Konsum and irresponsibly bought a Regatt ice cream cone for dinner.
Estonian ice cream.
Since the weather was good, and since I felt so empty and so full, I stayed long enough at home to grab my camera and walk right back out.
When I came back later all the exposures were still on the roll but one: a picture of a swing by the river, under some street lights.
I sat in that swing after taking that picture.
I listened.
There was the river. Mostly the river. An old man went past, walking two little dogs. There was the sound of the swing, back and forth. I thought that if the city ever replaces all those swings I would like to take one of the old ones home.
It was such a contrast, the brotherhood, the stranger-hood, the way people are when there are layers and layers of meaning, the way we are when there aren’t.
I thought about the people I’ve always had, the ones I’ve gained along the way, the ones I’ve lost somewhere.
I missed the family and the inside jokes, and the friends between whom that heart-thing exists.
Brotherhood. Friendship. Philia.
It’s when one of you does something amazing and the other is proud; when another solos well and is met with approval; when you get the jokes and know which ones to tell; when you know what to say and not say.
And someone’s sitting there in the audience, on the left, three rows up, second seat from the aisle. They might not know how it’s happening, but they might can see what’s happening.
And maybe why.
That was a good way for God to make it.








